259LUXU-1862

``The job of a secretary is surprisingly boring,'' she says. He is twenty-eight years old, and his title is reflected in his slender physique and perfect demeanor, in a way that hardly requires any further explanation. However, she easily reveals that "sober" is not another name for restraint, but rather a thin veil to cover up her desire for stimulation. "I want stimulation," he said. Desire does not become more vivid by being kept secret, but by being declared in such a calm tone, it actually makes its outline stand out. ``I like the look of an uncle,'' she adds. The declaration of good and bad does not devolve into a list of attributes, but instead converges into a single attitude—appearance. Its simplicity confirms her everyday position, in which she is often on the side of ``doing everything'', and at the same time hints at her desire to reverse that position - borrowing the simple phrase ``sometimes I want to be attacked hard''. What is important here is not the simplicity of the vocabulary, but rather the fact that for her the overturning of the arrangement does not function as a performance, but rather as a restoration of balance. From the beginning, the initiative leaves her hands, and without relying on excessive metaphors, it only becomes apparent in the irregularities in her breathing and the way her gaze averts. The clichéd expression that beautiful style is ``twirled around,'' but we must admit that this time, it is the only grammar chosen by the body to throw off its own equilibrium. What she seeks is a phallus, no need to pretend it's hidden, and its arrival is recorded indifferently as the moment when her desire reaches a pause, not an end. Iki ends - this slang term is not a full stop, but rather a temporary punctuation mark to widen the blank space. Her competence as a secretary is reflected in this in a strange way. In other words, the precision of the way everything is ordered is purposefully abandoned here, and the disorder itself is turned inside out into an order. She said, ``Secretaries are plain.'' However, its plainness makes the excess stand out, like a light gently glowing in the corner of the screen. Excess does not attack her, but she invites it. This gesture of invitation was both the most graceful and the most barbaric.